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Every edition of Lingerie on Film reads like a slam poem of oddities and bodies.

A plush alligator dressed in silk. A paper woman minding her own business over breakfast. Bernese Mountain dogs wearing panties as hats. Bras in lily ponds. Flamingos, chain-link fences, exploding flowers, lemon trees. A slinky set on a skeleton with the posture of a dancer. None of this is romantic, exactly. It’s something more unwound— a woman alone with a disposable camera, deciding what’s worth preserving in a moment’s flash.

Fourteen years and over a hundred contributors into this series and we’re pleased to report that film rolls have only gotten better, getting stranger and more honest over time, as most women do.

The 11th edition is here with film by illustrator and cartoonist Joana Avillez, arts consultant Julia Trotta, celebrity stylist Julia von Boehm, chef and author Mina Stone, photobook publisher Miwa Susuda, costume designer Molly Rogers, actress Nell Verlaque, painter Patricia Iglesias Peco, creative director Quinn Wilson, gallerist and designer Sandeep Salter, and Eckhaus Latta co-founder Zoe Latta.

Over the next month we'll share a handful of conversations and many rolls of film. Until then, a selection of limited edition prints are available now, with all proceeds going to the Center for Reproductive Rights.

SHOP THE PRINTS
A close up of a person wearing a blue bra.

The Willow Bralette in Fondant on the brilliant Sandeep Salter.

The Gwyneth Panty in Bluet dressing the hills of Mina Stone's holiday.

Lingerie on Film started with a disposable camera and no instructions. That was 2011.

What came back that first year surprised us. Not because it was beautiful — though it was — but because of what women chose to photograph when no one told them what to do. Lou Dillon arranged lingerie in flower petals on bare floorboards. A pair of panties were laid in the middle of a long stretch of highway. There have been roses and thorns, toddlers and Pomeranians.

Miranda July told us beauty was getting weirder and she was glad. Suki Waterhouse described it as a wild inner life that only you need to understand. Rachel Fleit said it was owning all of you — the hard and scary parts especially.

This year, we're thrilled as ever to share conversations with each contributor about what's shaped them and the world as they see it.

The women who shoot for Lingerie on Film are not chosen for what they do, but for how they move through their lives — with curiosity, with creativity, with an inner life that spills into everything they touch. They are artists, mothers, chefs, friends, writers, and dancers. They are, in every sense, the woman we design for: someone who puts as much care into the world around her as she does herself.

READ THE PROFILES

Above, a silk bra is seen draped over an apple cactus that funnily enough, produces edible pinkish-red fruits. Photo by Patricia Iglesias Peco.

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