Mickey Sumner
A Lingerie On Film Profile
We’ve been fans of Mickey Sumner since her memorable role as Sophie in the quintessential indie film, Frances Ha. So when she said yes to this year’s Lingerie on Film project, we were thrilled. Known for her layered performances on screen and stage, she’s also a devoted runner, puzzle enthusiast, and lifelong maker, with a BFA in fine art and a soft spot for disposable cameras. For this year’s Lingerie on Film, she turned her lens—and her sense of “playful weirdness”—on Araks. What follows is a conversation about grit, creativity, and the rituals that keep her grounded—from Epsom salt baths to horoscope readings, with a few mantras (and one Britney Spears lyric) along the way.
A: Is there anything you would like to share with us about how you chose to take on this project?
MS: Getting a bunch of disposable film cameras brought back such a rush of nostalgia - dating myself, I know! It was like being a kid again, before the era of iPhones and endless digital photos. I loved the inherent constraint of a disposable: the inability to instantly edit, review, and delete. In a world of instant feedback, it's easy to fall into the trap of self-editing, and there are fewer opportunities for beautiful accidents. Plus, there's just something undeniably gorgeous about film – it lends a unique texture to everything. Being given free rein by Araks to capture their beautiful and vibrant lingerie on film felt liberating, inspiring me to embrace my sense of playful weirdness.
A: Can you tell us about your upbringing and background? What was your childhood like, and how was creativity and self-expression cultivated in your adolescence?
MS: My childhood, largely spent in the UK, was steeped in creative encouragement. My Mum was always giving me paper, pencils, paints, and crafting kits, fostering an early love for drawing and making things. As kids, we saw a lot of art, a lot of movies, read a lot of books, and travelled a lot. When I was a teenager, I interned a bunch of times for the painter Steven Hannock - learning how to mix paint and stretch canvas. In every school I attended, I naturally gravitated towards the art room - it always felt like a sanctuary to me. This ultimately led me to Paris when I was nineteen, and subsequently to New York City, to pursue a BFA in Fine Art at Parsons.
A: Can you share your journey from studying art and design at Parsons to becoming an actor?
MS: In college, my artistic explorations heavily leaned towards performance, with my body serving as both subject and medium. I crafted wearable sculptures and made films and installations that centered around my physical form. I felt incredibly inspired by New York City and the kids I was meeting - I was at Parsons but had friends at Bard, NYU & BU. In fact, it was the Josh Safdie who put me in his BU student films and got me hooked on acting and filmmaking. I started to go to acting class at night alongside my degree. And by the time I graduated, I just wanted to act - and I threw myself into theatre, reading workshops, short films, student films - anything anyone would cast me in. And that was that. It’s only now, much later I have gone back to making art with my hands again.
A: You ran the Boston Marathon in April. What inspired you to take that on? Was there a moment when you thought, “I have to do this”?
MS: In 2023, I ran the New York City Marathon for LuMind, a Down syndrome research foundation that holds a special place in my heart, as some of my son's dear friends have Down Syndrome. It was such an incredible experience- I loved it! Last winter, LuMind generously invited me to join their team again, this time for April's Boston Marathon. I was excited to fundraise again for such an important cause, plus the Boston Marathon is iconic - there was no way I was saying no to that!
A: Running 26.2 miles isn’t just physical, it’s a mental game. How do you stay focused when it gets hard, both in training and in life?
MS:
I have two life mantras, one is “never boring” - even when things are hard, uncomfortable, painful - it is never boring. Maybe I have some masochist tendencies, but I love a hard challenge and I love proving things to myself. And I might be slightly competitive… . The second mantra I stole from Glennon Doyle, and I repeat “I can do hard things” again and again and again. I used that to get me up the notorious Heartbreak Hill in Boston.



