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There is a tendency to describe motherhood as instinctual—as though something clicks neatly into place.

Sarah Levine finds this only partially convincing. There are moments, she says, when you feel an impulse and must follow it—an ability to sense hunger, sleepiness, over-stimulation with surprising accuracy. And then there are plenty of others when, as a first-time mother, you are “totally bewildered,” with no internal instruction manual in sight.

Her son, Albert—Albie, or affectionately Bunny—is nine months old. He wakes early, standing in his crib, absorbed in his own babbling, delighted by the sound of himself. At some point, he notices her. “He knows I’m there, and the jig is up.” The day begins.

What follows is a sequence that is both structured and loose: a bottle, a walk through Fort Greene Park, breakfast—what she calls his “big boy breakfast,” equal parts enjoyable and chaotic. If it’s the weekend, the day extends outward: swings, friends, perhaps a museum, though he is often more interested in the people than the art. In the early evening, they settle at a café, watching the street.

“We wave to strangers; we play; we laugh.” It is, she says, her favorite time.

The idea of immediate recognition—that one meets one’s child and feels an instant, all-encompassing bond—strikes her as overstated. What she remembers instead is holding “this little purple-ish stranger” and thinking, quite plainly, that she was looking forward to getting to know him, and for him to get to know her.

"As I held him, I didn’t think 'oh baby, oh baby, I have known you all along.' Instead, I held this little purple-ish stranger and thought, “I’m excited to get to know you and for you to get to know me.”

Shortly after he was born, Albie was diagnosed with craniosynostosis and required neurosurgery at seven weeks. He has worn a helmet since. It is not the version of motherhood she had anticipated. “Selfishly, I wanted a normal experience,” she admits. What followed was a relinquishing—of control, of expectation, of the idea that things could be managed into alignment.

And yet, there is a steadiness in how she speaks about it now. Not resolution, exactly, but a willingness to accommodate what is. Motherhood, she suggests, has been a lesson in letting go—of perfection, of certainty, of the ambition to be everywhere and do everything at once.

The helmet is now her son's calling card. "He's a little celebrity in their neighborhood," she says, admitting sheepishly that she's comes to love it.

"There’s divine tenderness, like the early contact naps, which I will never forget ."

If there is a prevailing atmosphere to early motherhood, it is not softness so much as intensity. “It’s really fucking tough,” she says, without hesitation, a statement she feels new mothers should hear—not as a warning, but as a form of preparation. There are moments of closeness she describes as unforgettable: a baby sleeping against your chest, the small, rhythmic sounds of breathing. But these sit alongside a more high-pitched reality: the tracking of feeds, naps, diapers; the sense of being perpetually on the clock; the gradual erosion of one’s own time.

The phrase “bouncing back,” particularly in its emotional dimension, she dismisses outright. Nine months on, she feels more like herself again, though she admits there was a period when she wondered if that version would return at all. Fatigue accumulates. Hormones continue their work long after the moment of birth has passed. “Your emotional self is at the mercy of a raging rollercoaster,” she says, with a clarity that feels earned.

When asked what she would say to someone standing just before this experience begins? “Leap into it,” she says. It is beautiful, messy, unpredictable."

"The joy, however, is disproportionate to everything else: The pleasure it gives you in return is immeasurable. Hearing my son laugh, seeing him smile, watching him clap, listening to him snore, playing in the bath… the pure joy I feel every single time these things happen is worth all of the other bits."

What she describes is not a transformation that resolves itself, but one that continues to unfold—shaped by attention, by fatigue, by love, by the strange elasticity of time.

Immense thanks to Sarah for taking part in this conversation, and for sharing an intimate glimpse into her experience of becoming a mother. All film and digital photographs are by William Jess Laird, Sarah's husband and Bunny's Dad.

Becoming is a new series of conversations with women, considering the ongoing process by which a life is shaped and reshaped. Rather than a point of arrival, it attends to what is continuous—the shifts, the reimaginings, the ways a woman is, at any given moment, still becoming herself.

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